When I pass people on the street I want to stop them and say, listen, I got a fella.
—Sydney Carroll, U.S. screenwriter, and Robert Rossen. Sarah (Piper Laurie)
Las Vegas has become, just as Bugsy Siegel dreamed, the American Monte Carlo—without any of the inevitable upper-class baggage of the Riviera casinos. At Monte Carlo there is still the plush mustiness of the nineteenth century noble lions.... There are still Wrong Forks, Deficient Accents, Poor Tailoring, Gauche Displays, Nouveau Richness, Cultural Aridity—concepts unknown in Las Vegas. For the grand debut of Monte Carlo as a resort in 1879 the architect Charles Garnier designed an opera house for the Place du Casino; and sarah Bernhardt read a symbolic poem. For the debut of Las Vegas as a resort in 1946 Bugsy Siegel hired Abbot and Costello, and there, in a way, you have it all.
—Tom Wolfe (b. 1931)
“It’s hard enough to adjust [to the lack of control] in the beginning,” says a corporate vice president and single mother. “But then you realize that everything keeps changing, so you never regain control. I was just learning to take care of the belly-button stump, when it fell off. I had just learned to make formula really efficiently, when sarah stopped using it.”
—Anne C. Weisberg (20th century)